A new short story of mine, “Under the De Soto,” went up over the weekend at Fried Chicken and Coffee, the “blogazine of Appalachian literature” edited by Rusty Barnes. Go check it out!
I’m happy to have the story out in the world because for one, it’s been a while since I’ve published a new short story. The problem with working on a long thing is that you forfeit the little motivational piston-firings that come with finishing and then hopefully one day publishing smaller things. Working on longer things requires delayed gratification in a multitude of ways.
Second, this is my second story to be published at Fried Chicken and Coffee. (My short story “High Cotton” was published there a few years ago.) I frankly love appearing in the same journal more than once, whether it’s online or on paper. I relish and aspire to be a “regular contributor,” something different from a staff writer but yet more meaningful than merely a one-time guest. Your aesthetic and the aesthetic of the publication shake hands every now and then, and it’s a good feeling.
The De Soto of the title refers to the Hernando De Soto bridge, which connects downtown Memphis to the eastern border of Arkansas. It’s one of Memphis’ two expansive, industrial-strength bridges. It’s also illuminated at night in the shape of a sine-wave–like M, which nicely mimics the bends of the Mississippi River below. When I lived in Memphis, I got to see this bridge every day, and, of all the details of Memphis life that I miss, those two — the constant gravitational force of the river and the man-made defiance above it — are missed the most. It feels odd to have wistful notions toward architecture, but what can you do.